Seedance 2.5 Prompts

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13 prompts

Flower Passing Thank You

Dialogue & Native Audio

Live-action style, fast editing, cinematic, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. The passing of a single flower serves as the core visual thread for the whole video, the flower passing quickly from one country to the next, linking different regions and people around the globe. In each scene, a character receives the flower, shows a sincere smile, and says "thank you" in their local language. The overall pacing is light and fluid, the camera full of motion, emphasizing a real street/life vibe, warm cross-cultural connection, and the passing of goodwill between people. Transition method: the previous character passes the flower out of frame, and in the next shot another character catches the flower in a new scene; or use a fast whip pan, motion blur, or foreground occlusion to complete a seamless transition; keep the flower visually continuous in frame, forming a "one-take around the world" feeling. Camera style: handheld tracking, slight camera shake, fast push-pull, a mix of close-up and medium shots, real ambient sound atmosphere, cinematic street-shooting quality. The background music is warm, light, with a sense of world travel, gently fading out at the end. Scene 1 [reference image 1] Inside a Chinese flower shop, a real, life-like scene. A girl receives a rose, looks at the camera and smiles, saying naturally: "谢谢！" The camera follows the flower handed in from the right of frame, the girl gently lifting the bouquet after receiving it. Scene 2 [reference image 2] An English street, chilly weather, the streetscape natural. A gentleman receives a carnation, smiles and nods, saying: "Thank you!" Through a whip-pan transition, the flower whips in from the previous scene. Scene 3 [reference image 3] A Mexican market, richly colored, full of bustling life. An auntie receives a bunch of marigolds, presses her palms together, and warmly says: "¡Gracias!" The camera sweeps quickly past the stalls and crowd, freezing on the moment of receiving the flower. Scene 4 [reference image 4] An Indonesian village, natural sunlight pouring down. A child receives a frangipani flower, smiles happily, bows slightly, and says: "Terima kasih!" The camera carries a bit of a running feel, the atmosphere pure and natural. Scene 5 [reference image 5] A Thai street, lively and bustling. A vendor receives a string of jasmine garlands, presses palms together, and warmly says: "ขอบคุณค่ะ!" The camera pushes in lightly, the garland swaying gently in the sunlight. Scene 6 [reference image 6] An Arab courtyard, the light soft, the setting elegant. A lady receives a desert rose, touches her chest and smiles, saying: "شكراً!" The image is quiet and warm, the character's expression sincere. Scene 7 [reference image 7] A Brazilian community, the atmosphere warm and vivid. A boy receives a gerbera daisy, very happy, saying: "Obrigado!" The camera is full of rhythm and life. Scene 8 [reference image 8] A Japanese street, an office worker receives a small flower on a bento box, bows politely, and says: "ありがとう！" The camera is short and crisp, keeping the urban rhythm. Scene 9 [reference image 9] A Korean street, a modern urban feel. A young woman receives an azalea flower, naturally clasps her hands together, and smiles saying: "감사합니다!" The camera lingers briefly on the moment of her smile, then the image softly fades out.

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Seedance 2.5

Multilingual Office Mystery Comedy

Dialogue & Native Audio

High-quality 3D animated cartoon, stylized modern family-animation film look, oversized heads, huge expressive eyes, exaggerated proportions, smooth rounded clay-like 3D surfaces, subsurface scattering skin, vibrant saturated colors, warm cinematic animated lighting. NOT realistic, NOT live action. 30 seconds, snappy comedic pacing. LOCATION: a bright office break room, cheerful cartoon kitchen counter, a small round table, an open fridge door behind them. On the table sits a white plate holding nothing but crumbs and a smear of chocolate frosting. CHARACTERS (locked, no drift): MAYA — woman, oversized round head, curly dark hair, green blazer, huge suspicious eyes, arms folded. Speaks English. DIEGO — tall skinny man, light blue shirt, enormous eyebrows, very dramatic hand gestures. Speaks Spanish. LUC — short round man, grey knit sweater, sweet innocent face, a tiny smear of chocolate frosting on his cheek that he never notices. Speaks French. COLOR 60:30:10 — 60% bright clean office whites and warm wood / 30% soft mint-green wall / 10% accent of Maya's green blazer and the chocolate frosting. 0–4s: wide shot. All three stand around the table staring down at the empty plate in dramatic silence. Slow push-in on the crumbs like a crime scene. Tense low strings. 4–8s: MAYA leans in, eyes narrowing, and says in English: "Okay. Which one of you ate the last slice?" Cut to her suspicious glare. 8–13s: DIEGO throws both hands up theatrically, offended, and says in Spanish: "¿Yo? ¡Yo ni siquiera como azúcar!" He clutches his chest, scandalised. 13–18s: LUC blinks innocently, shrugs with total sincerity, and says in French: "Moi non plus. Je suis complètement innocent." The frosting is clearly visible on his cheek. Diego slowly turns and stares at him. 18–23s: MAYA points at Luc's face without a word. Beat of silence. LUC touches his cheek, looks at his finger, and freezes, eyes going enormous. 23–27s: LUC, quietly, in French: "...Bon. J'ai peut-être goûté un petit morceau." Maya and Diego both explode in overlapping outrage. 27–30s: Luc slowly licks the frosting off his finger anyway, completely unrepentant, as the other two throw their arms up. Freeze on his guilty little smile. CAMERA: slow push-in on the plate, then natural shot-reverse-shot coverage cutting to whoever speaks, a wide two-shot on the accusation, tight close-up on Luc's frozen face, wide comedic final shot on all three. AUDIO: tense low comedic strings during the standoff, a dramatic sting on Maya's question, cartoon gasp from Diego, dead silence during the pointing beat, overlapping outraged shouting at the end, one cheeky little xylophone note on the final lick. Each character's lips match their own line and language precisely. No background music over the dialogue. FORBIDDEN: no auto-generated subtitles, no background music bed, no voice crossing to the wrong character, no design drift, no realistic or live-action rendering, no named studio references, no readable text or logos.

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Seedance 2.5

5-Second Japanese Dialogue Drama

Dialogue & Native Audio

5秒ドラマで日本人の可愛い女性と男性が喋っている動画をください。女性セリフ「こんにちは！今日はどんな要件で？」男性セリフ「要件なんてない！君が好きだ！」

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Seedance 2.5

Natural Japanese Slice-of-Life Dialogue

Dialogue & Native Audio

A cinematic Japanese slice-of-life scene.Two young Japanese women (age 20 and 22) are sitting together and chatting happily. They are close friends having a relaxed conversation. Their lips move naturally with synchronized dialogue (accurate lip sync).Scene: a quiet residential street in Japan in the late afternoon. Warm golden sunlight, gentle breeze, peaceful everyday atmosphere.Camera: cinematic Japanese film style composition, medium two-shot, natural framing, slightly handheld camera, slow cinematic movement.Lighting: soft natural sunlight, realistic skin tones, subtle film color grading.Visual style: Japanese indie film aesthetics, shallow depth of field, soft background blur, realistic acting.Dialogue (spoken in Japanese, natural lip sync):Woman 1: 「今日ほんとうにあたたかいね。春って感じしない？」Woman 2: 「うん、こういう日に外で話すの気持ちいいよね。」Woman 1: 「最近どう？大学はいそがしい？」Woman 2: 「ちょっといそがしいけど、こうやって話すと元気出る。」They smile, laugh lightly, and continue their casual conversation.Ultra realistic, cinematic storytelling, natural acting, 4K film look.

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Seedance 2.5

Sea Otter Nature Documentary with Narration

Dialogue & Native Audio

30 seconds, 16:9, BBC Planet Earth nature documentary style, 8K ultra-realistic wildlife cinematography. Morning sunbeams pierce mist above a calm Pacific kelp cove. A mother sea otter floats peacefully on her back in emerald water, wrapped in bull-kelp leaves, while her tiny fluffy 2-week-old pup sleeps safely on her chest. Natural telephoto optics, 200mm lens, shallow depth of field, crystal water sparkles. 0:00-0:06: Low water-level telephoto tracking shot. Sunlight catches droplets on the mother's dark wet fur as she gently licks her pup's head. The pup stretches its tiny paws and lets out a soft squeak. NARRATION (warm, gentle documentary voiceover): "Here, in the quiet shelter of the kelp forest, morning begins with a mother's embrace." 0:06-0:12: Close-up on the pup yawning, its pink tongue visible, fluffing its dense cream-colored chest fur with tiny paws. The mother uses her paws to anchor them to a golden kelp frond. NARRATION: "For this two-week-old pup, her mother's chest is the safest island in the vast ocean." 0:12-0:18: Gentle 90-degree floating orbit around the otters. Golden light-caustics dance across the clear emerald water beneath them. A gentle swell lifts them softly. NARRATION: "Together, wrapped in living kelp, they ride the gentle rhythm of the sea." 0:18-0:24: Tight macro shot on the pup nuzzling the mother's cheek. The mother wraps both forepaws around her pup, closing her eyes in serene contentment. NARRATION: "A bond forged in warmth, drift, and quiet devotion." 0:24-0:30: Slow crane rise upward revealing the full sunlit kelp cove, distant pine-covered cliffs in soft morning fog, the otter pair reduced to a cozy center-frame focal point. NARRATION: "Another peaceful day dawns in the kelp kingdom." SOUND: Soft ocean lap, gentle splash, tiny otter pup squeak, mother's breathing, kelp rustle, warm British documentary narration. LOCKS: Natural fur physics, realistic water dynamics, no human objects, stable horizon, professional wildlife color grading. NEGATIVE: No captions, text, logos, watermark, background music, cartoon eyes, exaggerated color saturation, extra animals.

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Seedance 2.5

Alien Commander Battlefield Dialogue

Dialogue & Native Audio

Prompt: Image1 komutan ve lider olan bir uzaylıdır. Image2 ise asker uzaylıdır. komutan askere bir savaş alanında emir veriyor. Karşılıklı diyalog sahnesi. Konuşmalar tamamen uydurma bir uzaylı dilinde olmalı Bir blockbuster filminden bir savaş sahnesi olmalı. Sinematik kamera hareketleri ve açıları kullanmalısın.

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Seedance 2.5

Retro Spaceship Captain Monologue

Dialogue & Native Audio

Style: cinematic retro sci-fi, inspired by grand 1970s/80s space films, practical effects, symmetrical compositions, slow deliberate camera movement, cream-and-chrome spaceship interiors, big buttons, glowing panels, analog readouts, subtle film grain, soft haze, dramatic but thoughtful mood. Captain HaHaa has charm, swagger, and warmth. He walks through his ship while delivering a reflective monologue in a confident Australian accent. The tone is philosophical but grounded, ending hopeful and personal. SHOT 1 - 0:00-0:05 Visual: Wide symmetrical shot of a long cream-and-chrome spaceship corridor with glowing wall panels, blinking buttons, and retro consoles built into the walls. Captain HaHaa walks slowly toward camera from the far end, hands loosely behind his back at first, calm and reflective. Camera: Slow centered dolly backward, very smooth, stately and elegant. Dialogue: “Well, here we are, mates, a brand-new age.” SHOT 2 - 0:05-0:10 Visual: Side-profile tracking shot as Captain walks past a row of large retro computer stations, reel-to-reel style panels, switches, and glowing instrument clusters. He lightly brushes a hand across the edge of a chrome console as he passes. Soft practical reflections shimmer across his black uniform and silver trim. Camera: Lateral tracking shot, smooth and measured. Dialogue: “Longer models, bigger worlds, and enough artificial intelligence to make the universe feel rather small.” SHOT 3 - 0:10-0:15 Visual: Captain stops at a large observation window or glowing circular display. He looks out thoughtfully, half in silhouette, ship lights glowing behind him. This should feel like a classic contemplative sci-fi image. He turns slightly back toward camera with a knowing expression. Camera: Medium-wide, slow push in from behind and to the side. Dialogue: “But don’t get too dazzled. Without a proper story, all that power is just pretty lights doing tricks in the dark.” SHOT 4 - 0:15-0:20 Visual: Medium close-up as Captain resumes walking, now moving through a control room doorway with large blinking panels and oversized buttons in the foreground. He points lightly toward camera as he talks, casual and assured, like he’s sharing hard-earned wisdom. Camera: Front-facing tracking medium close-up, slight handheld softness but still controlled. Dialogue: “A machine can build the world… but it can’t tell us why we should care about it.” SHOT 5 - 0:20-0:25 Visual: Captain enters the main bridge in a low-angle hero shot. The bridge is spacious, practical, and beautifully retro: cream consoles, chrome rails, oversized lit buttons, glowing instrument panels, and soft haze in the air. As he steps through the doorway, Fishman Mike and Ron are already there waiting for him near their stations. They both look toward him and give him a friendly thumbs up. Captain gives a small acknowledging grin as he keeps moving forward. After the thumbs up, Fishman Mike and Ron turn and begin working at the bridge controls in the background, adding life and movement behind him. Camera: Low-angle slow push in, slightly epic, widening just enough to include Fishman Mike and Ron in the bridge space. Dialogue: “That’s our job.” “And right now, when almost anything can be made, the rarest thing you can bring to it is yourself.” SHOT 6 - 0:25-0:30 Visual: Tight medium close-up of Captain HaHaa near or beside the captain’s chair as he finishes his speech. Behind him, slightly out of focus, Fishman Mike and Ron continue working at their stations, pressing buttons, checking readouts, and moving with purpose. The bridge feels alive but never distracts from Captain. He leans toward camera slightly with a cheeky half-smile, warm eyes, full Captain HaHaa charisma. Camera: Subtle push in, intimate and strong, with shallow depth of field so Captain stays dominant while Mike and Ron remain visible in the background. Dialogue: “So be weird. Be honest. Make the thing only you would make.” “What a bloody good time to be alive.”

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Seedance 2.5

Arena Duel Countdown Upset

Dialogue & Native Audio

(0-4s) Wide shot of the duel arena — the musculer man and the old kung fu master face off, crowd murmuring in anticipation. Referee raises hand and starts counting down: eng::**"3... 2... 1..."**. (4-7s) Referee shouts "Go!" / gives the start signal. The kung fu master bows slightly. (7-9s) Right as the master bows, the musculer man swings his leg and kicks him straight in the head. The master collapses. The entire crowd gasps in shock, frozen in disbelief. (11-15s) The musculer man **English**: "I thought the fight started, why is this old man bowing?" @dreamina_ai #DreaminaCPP

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Seedance 2.5

Kung Fu Battle with Ambient Audio Only

Dialogue & Native Audio

# Seedance 2.5 — 30-second Kung Fu Battle Duration: 30 seconds Aspect ratio: 21:9 Format: photorealistic live-action martial arts feature film Audio: environmental sound, breathing, footsteps, cloth movement and impacts only. No BGM, dialogue, subtitles, text, logo or watermark. REFERENCE LOCK Use only the two attached character references. LIN: keep exactly the same face, youthful appearance, twin-bun hairstyle, red ribbons, white hoodie, red jacket with gold dragon embroidery, black pants, shoes, body proportions and colors. MASTER RYU: keep exactly the same elderly face, white eyebrows, long white beard, white hair, martial-arts robe, belt, pants, shoes, body proportions and colors. Preserve both identities, costumes and proportions from the first frame to the last. No redesign, no additional people, no duplication, no face changes, no costume changes. LOCATION AND LOOK Ancient Chinese mountain temple courtyard at sunrise. Weathered stone paving, dark wooden temple buildings, stone lanterns, pine trees, thin morning mist and soft sunlight cutting through branches. Restrained saturation, deep blacks, warm highlights, realistic skin, fabric, dust and debris. The atmosphere is grounded and dramatic, like a premium live-action period action film. No fantasy energy, wire-fu, anime effects or supernatural movement. ACTION LANGUAGE The fight uses physically achievable Hong Kong-style kung fu choreography: fast continuous combinations, precise timing, close-range trapping, redirection of force, environmental awareness, comic-free seriousness, visible weight transfer and clean balance recovery. Every movement must connect logically to the next. No repeated animation, impossible flips, floating, sliding feet or empty air punches. Lin fights with youthful aggression, speed and large committed attacks. Her expression moves from confidence to frustration and fierce concentration. Ryu fights with calm economy. He avoids attacks by centimeters, uses tiny shifts, circular footwork, wrist control, hip rotation and redirection rather than brute force. His expression remains composed. CAMERA Professional long-take choreography with invisible cuts. Mostly 35–40 mm lens. Smooth Steadicam tracking, lateral movement, controlled orbits and brief low-angle inserts. Keep screen direction and spatial geography clear. Both fighters must remain readable. Use close-ups only for decisive moments. No random zoom, excessive shake or disorienting cuts. TIMELINE 0–4 sec Wide shot. Lin and Ryu face each other six meters apart in the misty courtyard. Wind moves ribbons, hair and robes. The camera slowly pushes in. Lin lowers her center of gravity; Ryu remains relaxed. 4–8 sec Lin bursts forward. Dust kicks up under her shoes. She opens with a straight punch, palm strike and low sweep. Ryu slips each attack with minimal head, shoulder and waist movement. The camera tracks beside them, preserving both bodies in frame. 8–13 sec Lin continues without pause: spinning backfist, elbow, high roundhouse kick, landing step and rapid chain punches. Ryu parries once, redirects twice and evades the rest by centimeters. The camera performs a smooth half-orbit, keeping the temple axis and screen direction consistent. 13–18 sec Lin uses the environment. She steps onto a low stone bench, rebounds into a flying side kick, lands on the paving and immediately transitions into a spinning heel kick. Ryu ducks, turns and guides her momentum past him with one hand. The bench remains intact. Dust and fabric react naturally. 18–23 sec Close-range exchange. Lin attacks with elbows, short punches, knee feints and a foot sweep. Ryu traps her wrist, releases, checks her elbow, pivots behind her line and taps her shoulder to disrupt balance. Lin recovers instantly and attacks again. The action is extremely fast but readable, with no pauses or repeated motions. 23–27 sec The fastest section. Lin throws a final relentless combination: body punch, palm, backfist, spinning kick and rising knee. Ryu answers with compact deflections, one low kick to break rhythm and one palm to redirect her center. Heavy impacts produce realistic cloth snaps, foot sounds and small stone fragments. 27–30 sec Lin commits to a powerful descending axe kick. At the last possible instant, Ryu steps inside, turns his hips and redirects her centerline with a precise palm. Lin lands safely, slides one meter and regains balance. Both stop. Dust settles. Leaves drift between them. They hold eye contact with silent mutual respect as the camera cranes backward to reveal the temple and mountains. QUALITY CONTROL Feature-film anatomy and physics. Correct hands and feet. No extra limbs, morphing, flicker, costume drift, face drift, body penetration, object popping, teleportation or environment changes. Maintain consistent lighting, direction, identities and wardrobe throughout.

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Seedance 2.5

Spanish Podcast Interview with Voice IDs

Dialogue & Native Audio

El entrevistador esta en su podcast entrevistando a @8993a3ce-444a-414b-9800-6798a9c997eb y le pregunta con su voz @0949c9e6-24ae-4895-b567-94aa844e0150: " Buenas mi gente, tenemos un nuevo modelo de IA y hemos traido a un experto en ello, Nabil cuentanos" y entonces el invitado dice con su voz @8993a3ce-444a-414b-9800-6798a9c997eb: "Buenas jordi, la verdad que es una cosa de locos. Gracias a este modelo puedo hacer cosas como esta" y se levanta chasquea los dedos y le sale pelo. Se sienta y dice con su voz @7ac71528-ba91-42ec-92e1-89875ed6e49f: "inténtalo tú" y jordi se levanta y chasquea los dedos y entra un equipo de rugby en el podcast y nabil y jordi empiezan a empujarse con el equipo entero como en una pelea. De repente la camara enfoca a nabil en medio de la pelea y este con su voz @7ac71528-ba91-42ec-92e1-89875ed6e49fdice :" Esto solo es posible con el nuevo modelo de seedance, que loco!" y le da un empujon al que tiene encima forcejeando. De repente jordi en medio de la pelea grita con su voz @0949c9e6-24ae-4895-b567-94aa844e0150: "STOP" y todos los de rugby se convierten en plumas que caen al suelo. Jordi y Nabil se miran y les entra un ataque de risa

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Seedance 2.5

Midnight Laundromat Short Film

Dialogue & Native Audio

Create a 30 second cinematic short film titled The Suit Was Still Listening, presented in 16:9 with synchronized dialogue, environmental sound, and original music. The film must feel completely live action, physically grounded, and captured on location, never glossy or synthetic. Visual language: a rain soaked neighborhood laundromat at midnight, warm amber fluorescent tubes inside, cold blue street light and moving car reflections outside, wet pavement, fogged windows, chipped enamel machines, baskets, detergent boxes, loose receipts, realistic skin texture, natural eye moisture, subtle fabric lint, imperfect hair, restrained film grain, gentle halation, lifted shadows, rich but believable color. Wardrobe creates bold editorial color blocking: Mara wears a cobalt trench over a cream blouse, Noah wears a rust knit polo, the teenage attendant wears faded green workwear, and an elderly customer wears a pale gray suit and dark hat. Use expressive medium close shots, tactile inserts, occasional low angles, clean profile compositions, and brief handheld movement that feels operated by a human. Preserve consistent faces, clothing, props, screen direction, reflections, hand anatomy, and spatial continuity. Use realistic speech timing, breathing, blinking, eye focus, and precise lip synchronization. 0 to 3 seconds. Exterior wide shot through falling rain. A lonely laundromat glows on a dark corner. A black sedan turns slowly into the street. Camera makes a subtle forward creep. Music begins with muted upright bass, brushed snare, a low analog pulse, and the rhythmic churn of washers. 3 to 6 seconds. Interior macro shot through a round washer door. A red scarf turns through soap and water. Cut to Mara opening a dryer. A tiny black transmitter falls from the lining of a cream suit and strikes the tile with a sharp metallic click. The score briefly drops out. 6 to 10 seconds. Low medium two shot. Noah freezes beside a folding table. He says quietly, You said clean the suit. Mara studies the transmitter in her palm and replies, I did. You hid a heartbeat in the lining. Keep the delivery controlled and intimate, not theatrical. 10 to 14 seconds. Tight insert on the teenage attendant checking an old signal meter beside the change machine. A green needle jumps. He looks toward the fogged front window and says, It is still transmitting. Camera racks focus from the meter to white headlights sliding across the glass. 14 to 18 seconds. The sedan stops outside. The elderly customer continues folding a shirt without looking up. He says, Then he is already here. Hold on Mara as the moving headlights carve across her face. Let silence, rain, and machine motors carry the tension. 18 to 22 seconds. Noah whispers, Back door. The old man calmly turns the deadbolt on the back exit and answers, Too obvious. Mara notices a delivery rider outside pushing a rolling laundry cart past the window. Use a fast sequence of close shots: her eyes, the transmitter, the cart wheel, the sedan mirror. 22 to 27 seconds. Mara crosses naturally behind a row of machines, slips the transmitter into a sealed laundry bag on the moving cart through an open service hatch, and returns without drawing attention. Noah asks, What did you do. Mara watches the cart continue down the wet street and says, Gave him a cleaner story. 27 to 30 seconds. Exterior telephoto view. The black sedan pulls away and follows the cart. Cut back inside to a symmetrical medium shot of the four characters framed by spinning washer doors. The red scarf circles behind Mara like a slow warning light. She sits opposite Noah and says, Now tell me who owns the suit. End on the transmitter signal fading from the attendant meter as the final bass note lands. Sound design must include rain on glass, distant tires on wet road, washer motors, dryer buttons, fabric movement, the transmitter click, door lock, fluorescent hum, and soft room reflections around every voice. Dialogue must remain clean and naturally mixed above the music. Avoid visual distortion, artificial camera acceleration, floating objects, excessive shallow focus, oversharpening, plastic skin, extra fingers, unreadable signage, random background motion, or dreamlike effects.

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Seedance 2.5

Ghost Story Voiceover Visualization

Dialogue & Native Audio

Use [image1] as the start of the video. She is speaking to an unseen person off camera. She says: "So I go to see this flat. Top floor, rent's half what it should be, and the agent won't come up the stairs with me." Then cut to the voice only of the woman from [image1] as she continues to talk as a voiceover only. As she talks, her words are visualised as a story in the same visual style. The voiceover is: "First room: shoes. Hundreds of pairs, all facing the door, laces done up. Second room's got rain in it. Indoor rain, proper raincloud pouring raindrops all over the carpet. Third room, there's a window looking out onto a beach in full summer. It was February." Illustrate the voiceover sequence to tell the story visually. Then cut back to [image1] and she says with a smile: "Anyway. I signed the lease that afternoon."

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Seedance 2.5

Bedroom Surveillance Paranormal Night

Dialogue & Native Audio

Ultra-realistic found-footage paranormal home video aesthetic. Static bedroom surveillance camera mounted high in the corner, slight fisheye distortion, infrared night vision, compressed digital texture, low-light noise, subtle timestamp feel, realistic darkness, quiet room tone, no modern cinematic polish. Authentic paranormal home-video realism, believable sleep behavior, subtle supernatural motion, clean dialogue, stable continuity, unnerving pacing, realistic night-vision texture, viral horror payoff, no gore, no graphic harm. Two sleeping parents in bed. One young child, small silhouette, pale pajamas, quiet, expression unreadable, calm but unsettling. No injury, no gore, only eerie paranormal tension. Ordinary parents’ bedroom at night: double bed, hallway door slightly open, closet, dresser, baby monitor, weak moonlight bleeding through curtains. 0-4s: Locked-off wide surveillance angle - The parents sleep motionless. The room is silent except for a faint fan hum. The bedroom door slowly creaks wider on its own. 4-8s: The child appears silently in the doorway, perfectly still, staring into the room. One parent shifts in sleep but does not wake. A subtle distortion flickers across the frame. 8-12s: The mother wakes slightly and whispers: “Sweetie… what are you doing awake?” The child answers softly, without emotion: “He told me not to wake you.” 12-16s: A visible depression slowly forms on the empty side of the mattress as if someone unseen just sat down. The father jolts awake. The closet door eases open by itself. The child remains frozen in the doorway. 16-20s: The mother turns toward the child, terrified, and asks: “Who told you that?” The child tilts their head and says quietly: “The man behind you.” At that exact moment the camera glitches hard for one second, the parents spin around, and when the image stabilizes the doorway is empty.

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